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Book 2: Earth, Vol. 1 Avatar the Last Airbender: Book 2 Earth, Volume 1 finds Aang, the Avatar and potential reconciler of a world divided into air, earth, water, and fire kingdoms, now a master Waterbender. That means he and companions Katara and Sokka can now leave the Northern Water Tribe and concentrate on mastering earth. New adventures and dangers await the heroic trio in the five episodes included on this DVD, which finds Aang experiencing nightmares about the power of the Avatar State. He also meets an earth kingdom general with plans for attacking the warrior tribes of the fire nation, gets trapped with possible love interest Katara in the Cave of Two Lovers, and gets pulled into a supernatural swamp by a tornado. As always, Avatar is above average as an engaging anime tale, with a wonderfully original storyline and striking artistry. --Tom Keogh Book 2: Earth, Vol. 2 The five chapters in Avatar the Last Airbender: Book 2 Earth, Volume 2 continue the story of young avatar Aang's adventures deep within the Earth Kingdom. As usual, each episode is a seamless blend of grave drama and comic relief, but the stakes seem higher than ever with the addition of a new member to Aang's team. Joining Katara and Sokka is Toph, a blind but powerful earthbending girl trying to obscure her aristocratic origins by defeating large, scary men in the ring. Aang recognizes Toph from his vision of an earthbending teacher, whom he needs to help him master control over the earth element. Toph also adds a kind of sardonic, tart tone to Aang's journey, ultimately leaving her world to join the series’ trio of young heroes. "The Blind Bandit" finds Aang, Katara, and Sokka working hard at convincing Toph to help their mission. "Zuko Alone" carries on the tale of the firebending prince who now travels alone and anonymously, but comes close to befriending a boy in an Earth Kingdom town. (The episode is full of interesting flashbacks from Zuko’s youth.) "The Chase" also concerns Zuko’s past, but is primarily about Aang, Katara, and Sokka adjusting to Toph’s somewhat self-centered presence on the team at the same time Princess Azula is relentlessly hunting them all down in a kind of speeding tank. "Bitter Work" finds Toph having difficulties training Aang, while "The Library" is an exotic episode about a professor who leads the crew to a library containing information useful against the Fire Nation. When they get there, they find the place guarded by the owl-like Wan Shi Tong, who begins sinking the library in defense against the perceived invaders. --Tom Keogh Book 2: Earth, Vol. 3 Avatar the Last Airbender: Book 2 Earth, Volume 3 covers chapters 11 through 15 in the ongoing saga of Aang, the 12-year-old reincarnation of an avatar destined to reunite the warring nations of fire, earth, water, and air. Still traveling with his friends Katara, Sokka, and newcomer Toph, Aang gets into some of the strangest and most compelling situations yet seen on his journey to master control over all four elements. The first story, "The Desert," finds Aang so upset over the abduction and criminal sale of his flying bison, Appa, that the powerful boy shows a streak of rage, demonstrating to himself that he could easily use his emerging skills to harm enemies if he wished. Still, Appa remains missing through this volume, leading the gang on a mission to survive a desert sojourn and survive during a perilous flight (with a young family in tow) over a pass through mountains and ocean in "The Serpent’s Pass." They also get involved in a bizarre fight (in "The Drill") against the Fire Nation army and its gigantic drill, which is aimed at the outer wall of Ba Sing Se, a city occupied by earth people. Once inside Ba Sing Se, however, things get really weird: smiling officials (in "City of Walls and Secrets") outlaw any discussion of the war outside in order to keep the population placid and the economy rolling. Finally, "Tales of Ba Sing Se" is an original piece made up of individual vignettes focusing on each of the major characters. If there is anything surprising about Book 2 Earth, Volume 3, it’s the amount of romance (kissing, even!) in the air. These Avatar boys and girls are growing up. --Tom Keogh Book 2: Earth, Vol. 4 The long journey of young Avatar Aang and his friends Katara, Sokka, and Toph continues in this dramatic installment in the Avatar the Last Airbender series. Picking up from Volume 3, the first chapter on this disc, "Appa’s Lost Days," traces the hard times of Aang’s winged bison, Appa, after the latter is stolen in order to blackmail Aang into not going to the Earth King with information about a pending coup. The clever Aang manages to find Appa anyway and complete his crucial mission, though he learns, in "The Earth King," that the sheltered monarch doesn’t buy the notion that his own counsel, the power-grasping Long Feng, could be behind such a conspiracy. Complicating matters is the arrival of Princess Azula to take control over forces loyal to Long Feng, while Zuko, the reformed Fire Nation prince now acting as a humble but happier servant to his wise, tea-drinking uncle, is powerless to stop her. (On the other hand, Zuko forms an unexpected bond with one of Aang’s allies.) Everything comes to a head in "The Crossroads of Destiny," in which Aang, suddenly confused by the sage advice of a guru who tells him he must free himself of a crucial emotional attachment, joins the others in an uphill effort to stop Azula from overtaking the Earth King. As engaging and frequently funny as every other volume in the Avatar series, Volume Four is a great ride through a climactic time in the long-running story. --Tom Keogh

The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or unavailable edition of this title.

After a meteor shower bursts from the heavens, raining destruction on the unsuspecting citizens of Smallville, years pass, and the healing process leaves the town's inhabitants with scars and secrets. From the ashes of tragedy, a popular yet awkward teen attempts to decipher the meaning of his life and his clouded past. As he struggles with the transition from boyhood to adulthood, Clark finds that his strength and strange abilities set him uncomfortably apart from his peers. Soaring into its ninth season, this modern retelling of the Superman legend and its classic characters continues to blend realism, action and emotional depth to reveal a new interpretation of the enduring mythology. This season, as Metropolis's clock tower tolls our characters' darkest hour, we find Clark Kent (series star TOM WELLING) finally making his first attempts to embrace his calling as a superhero.

The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its generation. On its surface, George Lucas's original 1977 film is a rollicking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids. In the first film, Luke Skywalker (Mark Hamill) gets to live out every boy's dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was able to cross over into stardom) and trained by Jedi master Obi-Wan Kenobi (Alec Guinness), Luke finds himself involved in a galactic war against the Empire and the menacing Darth Vader (David Prowse, voiced by James Earl Jones). The following film, The Empire Strikes Back (1980), takes a darker turn as the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner instead of Lucas, Empire is on the short list of Best Sequels Ever, marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, and a now-classic "revelation" ending. The final film of the trilogy, Return of the Jedi (1983, directed by Richard Marquand), is the most uneven. While the visual effects had taken quantum leaps over the years, resulting in thrilling speeder chases and space dogfights, the story is an uneasy mix of serious themes (Luke's maturation as a Jedi, the end of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks. Years later, George Lucas transformed his films into "special editions" by adding new scenes and special effects, which were greeted mostly by shrugs from fans. They were perfectly happy with the films they had grown up with (who cares if Greedo shot first?), and thus disappointed by Lucas's decision to make the special editions the only versions available. --David Horiuchi

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrat crowd. --Tom Keogh How good-looking is the DVD restoration of Disney's popular animated film? Take a look at the serviceable but dull film clips incorporated in the plethora of extras and compare them to the vivid gorgeousness of the film presentation. This "special edition" also adds a 90-second song ("Morning Report") that originated in the lavish stage musical. To Disney's credit, the original theatrical version is also included, both restored and featuring two 5.1 soundtracks: Dolby Digital and a new Disney Enhanced Home Theater Mix, which does sound brighter. As with the Disney Platinum line, everything is thrown into the discs, except an outsider's voice (the rah-rahs of Disney grow tiresome at times). The excellent commentary from the directors and producer, originally on the laser disc, is hidden under the audio set-up menu. The second disc is organized by 20-minute-ish "journeys" tackling the elements of story, music, et cetera, including good background on the awkward Shakespearean origins at Disney where it was referred as "Bamlet." The most interesting journey follows the landmark stage production, and the kids should be transfixed by shots of the real African wildlife in the animal journey. Three deleted segments are real curios, including an opening lyric for "Hakuna Matata." Most set-top DVD games are usually pretty thin (DVD-ROM is where it's at), but the Safari game is an exception--the kids should love the roaring animals (in 5.1 Surround, no less). One serious demerit goes to the needless and complicated second navigation system that is listed by continent, but just shows the same features reordered. --Doug Thomas